Modern American Animation
Modern American Animation
This article will discuss the evolution of the art of animation within the United States of America since in the late 80's through the early 20th century. This time is usually referred to as the"renaissance" of American animation, when many major American entertainment companies reform and revitalize their animation department following the decline of the 60s, 70s and 80's. From 1988 until the Present Return of Disney In the mid 80's, the American animation industry was in disgrace. Toy commercials masquerading as entertainment shows were the dominant thing to do in both the morning and evening of Saturdays, and the only attempt was made by independent producers. Films with animated content were shown in theaters occasionally but the splendor of the past was long gone. Even the giant animation company Disney that had fought an acquisition by a corporation in the 1980s, was contemplating a halt to animation feature film production. Both the enthusiastic audience along with the critics and animators were taken by surprise as the long-awaited revival of animation started in the most storied and most conservative corporation, Disney. Disney saw a major change during the 80s. Under its new CEO Michael Eisner the company relocated to the ground, returning to its roots and revitalizing their studies. With much fanfare, in 1988, the school collaborated with Steven Spielberg to produce the animated film Who Framed Roger Rabbit, directed by Robert Zemeckis. It was a hit and gave the animation industry the anticipated push for that time. Visit:- https://ryoshitoken.com/ Roger Rabbit not only earned his a hefty sum of cash for Disney but also ignited the popularity of classic animated style that is still popular until today. The history of animation abruptly became an object of study (and their followers). Many directors, including business legends like Chuck Jones and Friz Freleng became the center of attention, being acclaimed after decades of being unnoticed by the public as well as industry professionals. Disney continued the great success of Who Framed Roger Rabbit? with "The Little Mermaid", the very first of a trilogy of animated movies that seemed to recreate the magic of the golden time and the era of Walt Disney himself. The studio made a lot of investments into the new technologies of computer animation to achieve these goals and could also produce great films like "Beauty and the Beast" and "Aladdin," which attracted audiences who hadn't experienced for decades. Once gave viewers a visual feast that hasn't been surpassed since the 1940s. The peak of success for Disney was in 1994, when"The Lion King," his most famous film "The Lion King" exceeded all expectations for the film to become one of the biggest successes ever. In the later years, Disney films as "Pocahontas," "The Hunchback of Notre Dame", "Hercules," "Mulan" and "Tarzan" was blockbusters. Disney can also be seen making progress in the under-appreciated field of animated television series. With the success of shows like "The New Adventures of Winnie the Pooh", "The Adventures of the Gummi Bears Disney" and "Duck adventures", the "new" Disney made his name in the world of TV animation. Through repetition and association, Disney can provide high quality animation for TV. A major series was produced in the mid-nineties with some critics naming "Gargoyles" as the Disney animation program for television's most ambitious and best done artistically. The soundtracks of each of the animated films were an important element of its success, because Disney included in all of the films a powerful sound from the realm of music, like Elton John (The Lion King), Luis Miguel (The Hunchback of Notre Dame), Ricky Martin (Hercules), Christina Aguilera (Mulan), Celine Dion (Beauty and the Beast), Ricardo Montaner (Aladin), Jon Secada (Pocahontas) as well as many others. Spielberg as well as animation Spielberg and Bluth While Disney brought new life to animation, Steven Spielberg was making his own way. Animation amateur life, Spielberg was also interested in creating animation of high quality and worked with his rival, Don Bluth animation producer to produce "Fievel and the New World." The success at the box office of this and Bluth's following production, "In The Land", Hollywood made him realize that Disney was not the only one with the sole rights to animated films. Other Hollywood studios returned to producing their own animated films however, they still fell into the trap of trying to imitate Disney's film from 1997. Don Bluth, "Anastasia" that was made by Fox and referred to as the film that started the Fox Animation Studios and Disney's competitor, however, the studies did not succeed following "Anastasia" and closed in 1999. As with all successful films of Disney, "Anastasia" was attended by Thalia, who played the theme for the soundtrack, which was available of Spanish, English and Portuguese. Spielberg and Warner Bros. Spielberg has, in turn, moved to TV and worked together with animation Studio Warner Bros. to produce "The Tiny Toon Adventures," an animation of high-quality series that paid tribute to the classic cartoons of Termite Terrace. "The Tiny Toon Adventures" had a good rating thanks to its younger viewers, which inspired the Warner Bros to resurrect his struggling animation studio and become again be a major player within the realm of animation. Tiny Toon Steven Spielberg was a hit. Tiny Toon Steven Spielberg were further developed by showing "Animaniacs" and "Pinky and the Brain". The latter did not just draw younger viewers who had never heard of Warner Bros., but also captivated the attention of adolescents and adults. Bakshi's return Ralph Bakshi, director of inventive animated films like "Fritz the Cat" and the original "Lord of the Rings", returned to animation after short stops in the middle of the 80's. He joined up with the young Canadian animator John Kricfalusi and the legendary British group "The Rolling Stones" to make an animation music video for "The Harlem Shuffle", which was released in 1986. While the music video was not very talkative however, Bakshi created a production team "Bakshi Animation" project continued with the short-lived , but well received "The New Adventures of Mighty Mouse." Bakshi & Co, worked on a variety of projects by the end of the 80, but the biggest project included "Cool World: a blonde between two worlds", which was released in 1992. The film got out of control and was then heavily criticized and forgotten by almost everyone. Animation Outsourcing The most important reason for enhancing the quality of American animation is its ability to outsource the heavy lifting to lower-cost animation companies in the South and Southeast Asia gaining a large quantity of frames at a very low cost. The character design, script and storyboarding are all done in American offices. The storyboards, models and color books are shipped overseas. Sometimes causes problems because no finished product is completed until the frames are mailed back to U.S.. Although budgets have been reduced in recent years, production companies from abroad are chosen by episode or even per episode, in accordance with the amount funds available at the time of. The result is a big difference in quality from one episode to the next. This is most evident in shows such as "Gargoyles" and "Batman": The Animated Series where some characters can be entirely different from one episode to the dismay of its directors. Adult Animation The Simpsons In the 1990s, there was the emergence of a new generation of animated series whose primary objective was for adults after a gap in the series for more than a decade. It was in 1989 that "The Simpsons," an animated short based upon"The Tracey Ullman Show, "The Tracey Ullman Show," was the first animated series in prime time since "The Flintstones" and captivated most of the viewers. It was the first successful series on the young Fox that caused no sensitivity as it swept into popular culture and becoming a huge hit. The year 2008 is the most successful for "The Simpsons" "The Simpsons" seem to show no signs of stopping, and could beat "Gunsmoke" as the fiction show that has aired for the longest time in the history of American television. In 2007 have released their first film, titled "The Simpsons: The Movie" with a dubbing by Spanish and Chinese. Ren and Stimpy The year was 1991 when Nickelodeon launched "The Ren and Stimpy Show," "Ren and Stimpy" was an edgy series that broke all the rules of correct drawings of Saturday morning , instead favoring the quirky style of the short the golden era. Additionally, the creator, John Kricfalusi, who had worked as an animator in the downturn of Saturday morning was heavily influenced by the classic works by Bob Clampett.

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